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"Postcolonial theory" has become one of the key issues of scholarly debates worldwide; debates, so the author argues, which have become rather sterile and are characterized by a repetitive reworking of old hackneyed issues, focussing on cultural questions of language and identity in particular. Gradually, a gulf has emerged between Anglophone and Francophone thinking in this area. The author investigates the causes for the apparent stagnation that has overtaken much of the current debate and explores the particular characteristics of French global strategy and cultural policy, as well as the divergent responses to current debates on globalization. Outlining in particular the contribution of thinkers such as Cesaire, Senghor, Memmi, Sartre and Fanon to the worldwide development of anti-imperialist ideas, she offers a critical perspective on the ongoing difficulties of France's relationship with its colonial and postcolonial Others and suggests new lines of thought that are currently emerging in the Francophone world, which may have the capacity to take these debates. --

Postcolonial theory is central to many scholarly debates around the world. Some of these debates have become rather sterile and are characterized by a repetitive reworking of old issues, focusing on cultural questions of language and identity in particular. Margaret A. Majumdar investigates the causes of the apparent stagnation of postcolonial theory in some circles, and provides an overview of the divergence between Anglophone and Francophone approaches to the postcolonial. Outlining in particular the contribution of thinkers such as Césaire, Senghor, Memmi, Sartre and Fanon to the worldwide development of anti-imperialist ideas, she offers a critical perspective on the ongoing difficulties of France's relationship with its colonial and postcolonial Others and suggests new lines of thought that are currently emerging in the Francophone world, which are sure to enliven Anglophone discussion and debates.

This interesting book takes as its subject the French response to the Indian Uprisings of 1857–1858, variously referred to as the 'Mutiny' or 'The First Indian War of Independence'. It focuses on representations of these events in the contemporary French press, as well as in fiction and non-fiction works published in subsequent years. These representations not only throw light on Franco-British colonial rivalry but, it is argued, illustrate the way the French colonial imagination was constituted in the period spanning the Second Empire and the Third Republic and how the lessons supposedly learned from the British experience in India were applied to France's own colonial empire, particularly in Algeria. There is much focus on the important role nostalgia for France's 'lost empire' was to play in the expansion and ideology of French colonialism in the late nineteenth century. In this, the reference to British colonialism is considered vital, initially as an example to emulate, but then as a model against which France should distinguish itself with its supposedly superior, morally grounded, 'Republican' civilising mission.This approach fits well with the triangulated French India studies paradigm developed at Liverpool University by Kate Marsh, Ian Magedera and others. This involves subverting the East/West binary and prioritising the specificity of French colonialism in India, determined as it is by its subordinate position in relation to the dominant British colonising power. This relation has allowed free rein to the imagination, in a nostalgic idealism that fantasises about what an Inde française might have been but never was (6).This is a scholarly, well-referenced work, though not devoid of errors, such as the claim that Bahadur Shah II was executed (16) or escaped (43), when, in fact, he was exiled to Burma. However, it is not intended as a contribution to the history of these events as such, nor to the historical debates they continue to provoke. Rather it analyses the significance of French representations of the uprisings for an understanding of subsequent developments in French colonial expansion and, especially, in the discourses through which they are articulated. Many of these accounts seize on the events and the British response to them as a sign of weakness on the part of the imperial rival. The book thus throws light on the different ways in which the French and the British colonial discourses encounter and respond to anti-colonial resistance. While the French may represent figures like Nana Sahib and the Rani of Jhansi in a more positive revolutionary light, this is usually set against the backdrop of a critique of the British failure to carry out its colonial civilising mission successfully. The terminology used stresses the 'revolutionary' nature of the revolts and their main players, unlike the British, who sought to downplay any suggestion that they represented a popular, 'national' revolt, rather than a military 'mutiny'. One might argue that the reality lies elsewhere, given that the 1857–1858 events did not represent a modernist, European-style revolution, but focused mainly on turning back the clock and re-establishing feudal-type rulers in their domains.This is not, however, the aim of this book, which, while it succeeds in illuminating the 'discursive rivalry' between both imperial powers, does not fail to distinguish between the often delusional ideological, imaginary discourse and the realities on the ground, where the similarities between them outweigh the differences. Details: The French Colonial Imagination: Writing the Indian Uprisings, 1858-1859, from Second Empire to Third Republic (After the Empire: The Francophone World & Postcolonial France), Nicola Frith (eds) 23 April 2014, Lexington Books,228 pp ISBN (10): 0739180002 ISBN (13): 978-0739180006 h/bk